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yelyahwilliams:

sephora:

VIDEO: GET KAT VON D’S SIGNATURE EYELINER LOOK

Watch the makeup maven demonstrate her technique with her Liquid Tattoo Eyeliner in Trooper. 

SHOP KAT VON D HERE ▸

But just what about if you’re not a tattoo artist who can effortlessly swipe on your liner with the most immaculate precision I’ve ever seen???

I’m getting HEAPS better at using liquid eyeliner, but this sure helps. I use her pens too!! 

yelyahwilliams:

ryanrussell:

thedailywhat:

Heartwarming Tearjerker of the Day: Moore Tornado Survivor Finds Her Dog in Rubble

This morning, Moore, Oklahoma resident Barbara Garcia was in the middle of an interview with CBS News about losing her home and her beloved companion dog to the deadly tornado, when something miraculous unfolded right in front of them and the viewers at home (starting at 1:32). Just try not to tear up.

If you don’t tear up you have no heart.

Ahhhhh

Wow. 

nanner: archiemcphee: For an art installation entitled Ballroom Luminoso, artists Joe O’Connell and Blessing Hancock created and hung six awesome chandeliers from a concrete underpass in San Antonio, Texas. The chandeliers were custom-made using structural steel, recycled bicycle parts, and custom LEDs that project a field of silhouettes of sprockets, gears, and other shapes onto the blank slate of an otherwise unremarkable industrial surface. From the artist’s statement about the project: “Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.” [via Colossal] NEEEEEEEEEED *GASP* WANT!!! 
Zoom
nanner: archiemcphee: For an art installation entitled Ballroom Luminoso, artists Joe O’Connell and Blessing Hancock created and hung six awesome chandeliers from a concrete underpass in San Antonio, Texas. The chandeliers were custom-made using structural steel, recycled bicycle parts, and custom LEDs that project a field of silhouettes of sprockets, gears, and other shapes onto the blank slate of an otherwise unremarkable industrial surface. From the artist’s statement about the project: “Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.” [via Colossal] NEEEEEEEEEED *GASP* WANT!!! 
Zoom
nanner: archiemcphee: For an art installation entitled Ballroom Luminoso, artists Joe O’Connell and Blessing Hancock created and hung six awesome chandeliers from a concrete underpass in San Antonio, Texas. The chandeliers were custom-made using structural steel, recycled bicycle parts, and custom LEDs that project a field of silhouettes of sprockets, gears, and other shapes onto the blank slate of an otherwise unremarkable industrial surface. From the artist’s statement about the project: “Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.” [via Colossal] NEEEEEEEEEED *GASP* WANT!!! 
Zoom
nanner: archiemcphee: For an art installation entitled Ballroom Luminoso, artists Joe O’Connell and Blessing Hancock created and hung six awesome chandeliers from a concrete underpass in San Antonio, Texas. The chandeliers were custom-made using structural steel, recycled bicycle parts, and custom LEDs that project a field of silhouettes of sprockets, gears, and other shapes onto the blank slate of an otherwise unremarkable industrial surface. From the artist’s statement about the project: “Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.” [via Colossal] NEEEEEEEEEED *GASP* WANT!!! 
Zoom
nanner: archiemcphee: For an art installation entitled Ballroom Luminoso, artists Joe O’Connell and Blessing Hancock created and hung six awesome chandeliers from a concrete underpass in San Antonio, Texas. The chandeliers were custom-made using structural steel, recycled bicycle parts, and custom LEDs that project a field of silhouettes of sprockets, gears, and other shapes onto the blank slate of an otherwise unremarkable industrial surface. From the artist’s statement about the project: “Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.” [via Colossal] NEEEEEEEEEED *GASP* WANT!!! 
Zoom
nanner: archiemcphee: For an art installation entitled Ballroom Luminoso, artists Joe O’Connell and Blessing Hancock created and hung six awesome chandeliers from a concrete underpass in San Antonio, Texas. The chandeliers were custom-made using structural steel, recycled bicycle parts, and custom LEDs that project a field of silhouettes of sprockets, gears, and other shapes onto the blank slate of an otherwise unremarkable industrial surface. From the artist’s statement about the project: “Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.” [via Colossal] NEEEEEEEEEED *GASP* WANT!!! 
Zoom

nanner:

archiemcphee:

For an art installation entitled Ballroom Luminoso, artists Joe O’Connell and Blessing Hancock created and hung six awesome chandeliers from a concrete underpass in San Antonio, Texas. The chandeliers were custom-made using structural steel, recycled bicycle parts, and custom LEDs that project a field of silhouettes of sprockets, gears, and other shapes onto the blank slate of an otherwise unremarkable industrial surface.

From the artist’s statement about the project:

“Ballroom Luminoso references the area’s past, present, and future in the design of its intricately detailed medallions. The images in the medallions draw on the community’s agricultural history, strong Hispanic heritage, and burgeoning environmental movement. The medallions are a play on the iconography of La Loteria, which has become a touchstone of Hispanic culture. Utilizing traditional tropes like La Escalera (the Ladder), La Rosa (the Rose), and La Sandía (the Watermelon), the piece alludes to the neighborhood’s farming roots and horticultural achievements. Each character playfully rides a bike acting as a metaphor for the neighborhood’s environmental progress, its concurrent eco-restoration projects, and its developing cycling culture.”

[via Colossal]

NEEEEEEEEEED

*GASP* WANT!!! 

DC Unveils SDCC Exclusives; I Know What I’m Getting

dcwomenkickingass:

DC has unveiled its exclusives for SDCC. You can see them all at USA Today but I’ll show the one that I’ll be getting. Oh yes, I will.

Behold the ESSBUFFS!

image

It’s pricey - $49.99 but I simply must have it. Of course, I’d rather have an ongoing series with these three by Lauren Faust, but I don’t think that’s going to happen. How about a digital comic? Anyone?

AWESOME!!!! 

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